4. The myth from 1881 to 1914
Over the eighteen mid-eighties there was a demote in fiction. The first indication towards it was Henry James essay The cheat of Fiction (1884), which referred to the novelists calling as a Sacred pip. Besides, there appe ard a stratification of fiction due to radical education for all. Parallel to this, novelists saw themselves apart from the public, as dedicated men. This pertly modern conception involved dignity and a sense of glory. Another change was from the three- meretriciousness novel to the one volume one. To positionher with the demands of the new publics, this shortening divided the Victorian novel into the categories of fiction we know today. The key name in the eighties is Henry James, who strove to give the novel the aesthetic intensity of metrical composition or painting. The two dominating themes in his work are the international field and that of the innocent. After the eighties the novel became the dominant prose form.
4.1. The Turn of the Century: the Modern British Novel
The turn of the one C meant the end of the Victorian Era with the Queens death in 1901. The legacy of Darwin, the Victorian loss of Christian Faith, Socialism and the awareness of affright against Englands wealth increased the existing social discomfort.
Apart from this, new discoveries such as Einsteins Special theory of Relativity (1905) and Freuds plant life Interpretation of Dreams (1900) and The Psychopathology of Everyday life (1901) were also important. As concerns Visual Arts, after the Post-Impressionist movement a great crisis of the subject followed. This crisis led to Cubism and Dadaism. Arts were then called to recognition of modern technology, which was evince in poetry through the introduction of free verse and broken syntax. Therefore, the Modern shows its discontinuity with the past, though not completely.
4.2.
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